Since 1990, Michael Marano has been reviewing movies and doing pop culture commentary for the Public Radio Satellite System program “Movie Magazine International,” syndicated in more than 111 markets in the U.S. and Canada. In this capacity, he has seen and ranted on and pontificated about perhaps more than 1,000 genre movies, and is now unfit for most any other form of employment. His articles have appeared in venues like the Boston Phoenix, the Weekly Dig, the Independent Weekly, Paste Magazine and Science Fiction Universe. Marano is also a horror writer, with stories in The Mammoth Book of Best New Horror 11 and Outsiders: 22 All-New Stories from the Edge; his first novel, Dawn Song, won the Bram Stoker and International Horror Guild Awards. He is a bitter old punk rocker, and can be reached at www.myspace.com/michaelmarano.
On Spiderman
Inner Demons, Outer Heroes, Outer Villains
By Michael Marano
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“I will not die a monster!” Those are the last words of Dr. Otto Octavius in Spider-Man 2. There’s an echo of the tragic to them, like something said by a ruler of Thebes at the end of a play you had to read in junior high. Cadmus, Pentheus, Athamas, Oedipus . . . these were guys who really knew how to suffer, back in the days when misery was an art.
But by the time that Otto utters those defiant words, it’s too late. In the classical and the tragic sense, Otto has, against his will (or as a result of his misdirected will) already been a monster and has served his function as one. As J. Jonah Jameson, editor-in-chief of the Daily Bugle points out, it was Otto who made Doctor Octopus, “Doc Ock,” the Hyde to Otto’s own Jekyll:
It’s all over town, Robbie. Gossip. Rumors. Panic in the streets, if we’re lucky! Crazy scientist turns himself into some kind of a monster. Four mechanical arms welded right onto his body. Guy named Otto Octavius winds up with eight limbs. What’re the odds? Hoffman! What’re we gonna call this guy?
Maybe what Otto really means with his dying words is that he’ll subvert, redefine, and reclaim his role as a monster, take it back from the city-wide-panic-inducing function that Jonah has assigned to the role and to him via splashy Daily Bugle front pages. Whom is Otto really defying by refusing to be a monster? Himself? …
Other Essays by Michael Marano
- Ra's al Ghul: Father Figure as Terrorist
from Batman Unauthorized - River Tam and the Weaponized Women of the Whedonverse
from Serenity Found - Theater of Faces
from Farscape Forever - Dalton's Gang
from James Bond in the 21st Century
About Michael Marano
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