A Hugo and World Fantasy Award nominee, Lou Anders is the editorial director of Prometheus Books’ science fiction imprint Pyr (www.pyrsf.com), as well as the anthologies Outside the Box (Wildside Press 2001), Live Without a Net (Roc 2003), Projections: Science Fiction in Literature & Film (MonkeyBrain December 2004), FutureShocks (Roc January 2006) and Fast Forward 1 (Pyr February 2007). He is the author of The Making of Star Trek: First Contact (Titan Books 1996) and has published more than 500 articles in such magazines as The Believer, Publishers Weekly, Dreamwatch, Star Trek Monthly, Star Wars Monthly, Babylon 5 Magazine, Sci-Fi Universe, Doctor Who Magazine and Manga Max. His articles and stories have been translated into Danish, Greek, German, Italian and French. Visit him online at www.louanders.com.
On Superman
A Tale of Two Orphans
By Lou Anders
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Batman and Superman: together, they are the ur-superheroes. Created in 1938 and 1939, they set the standard for all superhero comics. At one time portrayed as the best of friends, they even appeared together in a joint comic book, World’s Finest Comics, teaming up to fight crime and injustice every month from 1941 to 1986. But 1986 coincidentally saw the publication of Frank Miller’s historic miniseries The Dark Knight Returns, with its revamping of the two heroes’ relationship. Since then, things have been a little strained to say the least between the two superheroes. But to ascertain whether this is an unfortunate imposition of the grittier, more adult comics that characterized the 1990s, or an inevitable break arising from fundamental differences woven into their disparate characters, one has to look at their respective origins.
While it is true that both Batman and Superman are orphans, everything about their individual character and nature diverges from this one shared characteristic. As a small child, Bruce Wayne watched as both his parents were brutally gunned down in front of his eyes. Before he had reached maturity, he was present for a horrible, bloody and violent double murder. His life, previously one of privilege—the only son of the wealthiest family in America’s biggest city; essentially the closest to royalty we have over here—is over in a heartbeat. The arbitrary and transitory nature of our existence is brought home to him with crushing reality way before he’s prepared to handle it. I remember as a …
Other Essays by Lou Anders
- A Word of Warning for Brandon Routh
from The Man from Krypton - Novels, Novelizations and Tie-ins, Oh My
from Star Wars on Trial - The Natural and the Unnatural
from So Say We All - The Tangled Web We Weave
from Webslinger - Two of a Kind
from Batman Unauthorized
About Lou Anders
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