Lawrence Watt-Evans published his first novel The Lure of the Basilisk at age 24, and has since written more than 30 novels, more than 100 short stories, more than 150 published articles and contributed to several previous Smart Pop titles. He was a 1987 nominee for the Nebula Award for short story and a 1988 winner of the World Science Fiction Society’s Hugo Award for best short story. He has been a full-time writer and editor for more than 25 years, and has also worked as an instructor of Viable Paradise on Martha’s Vineyard, and at the Writer’s Center in Bethesda, Md. Visit him online at http://www.watt-evans.com.
On Superman
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By Lawrence Watt-Evans
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Faster than a speeding bullet, more powerful than a locomotive—Superman is undeniably a symbol of power. What’s more, he fights for truth, justice and the American way; he’s an icon of power used for good, power handled responsibly. It may be Spi-der-Man who actually said, “With great power comes great responsibility,” but The Big Blue Boy Scout was living it twenty years before Spidey spun his first web.
Superman has powers and abilities far beyond those of mortal men; he can make himself ruler of the world, take anything he wants or kill anyone who gets in his way—but he doesn’t. He’s a good guy, the ultimate good guy, because he apparently isn’t even tempted to abuse his powers. He’s wholesome and noble and selfless. His foster parents raised him that way, and he’s true to his upbringing.
It’s long been recognized that this is part of what makes him boring sometimes, or at least hard to write good stories about; he’s too powerful, too perfect. No menace can really endanger him—he’s invulnerable. His moral choices are never really difficult; the Kents gave him so strong a sense of right and wrong that there’s not much room for self-doubt. DC’s editorial powers have more than once tried to make things easier for their scripters by cutting him back to a more human scale, but it never really sticks, because he’s Superman. If he isn’t power incarnate and a moral paragon, he’s not the same iconic character.
What makes …
Other Essays by Lawrence Watt-Evans
- A Consideration of Certain Aspects of Vogon Poetry
from The Anthology at the End of the Universe - A World at War
from Flirting with Pride & Prejudice - Chinks in the Armor
from James Bond in the 21st Century - Finding the Hero
from Grey's Anatomy 101 - Growing Up Mutant
from The Unauthorized X-Men - I'm in Love with My Car
from Neptune Noir - Just Who Were Those Martians, Anyway?
from The War of the Worlds - Lost Secrets of Pre-War Human Technology
from Boarding the Enterprise - Matchmaking on the Hellmouth
from Seven Seasons of Buffy - On the Origins of Evil
from Revisiting Narnia - Peter Parker's Penance
from Webslinger - The Heirs of Sawney Beane
from Finding Serenity - Why Dumbledore Had to Die
from Mapping the World of the Sorcerer's Apprentice
About Lawrence Watt-Evans
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