On Batman

Keeping It Real in Gotham

By Robert Brian Taylor

It was early 2005. Christopher Nolan’s Batman Begins was well into post-production and slated to open that June. Meanwhile, filming on Bryan Singer’s Superman Returns was underway for a summer 2006 release. And it seemed like every fourth day I would find myself embroiled in a heated debate over which would end up being the better film. Though I had high hopes for both, I figured the safer bet was Superman Returns. My argument was a simple one, and went something like this: Both directors were up to the task, and the casts for each movie looked solid on paper. However, Nolan was making one huge mistake choosing Ra’s al Ghul—a power-hungry scientist who discovers the secret of immortality—to serve as the film’s primary villain. Ra’s was an awful choice, not because of the non-comic-reading public’s total unfamiliarity with him (though that had to be a concern of the studio’s), but rather because no Batman movie featuring a guy who can live forever could be taken all that seriously.1

Of all the mega-popular superheroes, it is Batman and his universe that are the most grittily realistic. He is not faster than a speeding bullet. He doesn’t swing around Manhattan with the proportional strength of a spider. Batman cannot fly, shoot laser beams from his eyes, or regrow damaged body tissue. He’s a guy who puts on a mask, blocks out the pain, and takes to the streets of Gotham City every night to beat evil into a bloody pulp. The  …

Other Essays by Robert Brian Taylor

About Robert Brian Taylor

Robert Brian Taylor has contributed three essays to the Smart Pop line. He has written about the pitfalls of not grounding Batman in a recognizable reality, insisted that Brian Michael Bendis spins better Spider-Man tales than Sam Raimi and celebrated the kickass women of Joss Whedon's Firefly. He lives in the Pittsburgh area with his wife, April, and daughters, Zoe and Ella. You can find him online at www.robertbriantaylor.com.

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