On Star Wars

Introduction: Star Wars on Trial

By David Brin

Well, it's done. The sci-fi legend of our generation is now complete. Our parents had Dr. Strangelove and 1984. Their parents were transfixed by H. G. Wells. The generation before that had Jules Verne.

And we got Star Wars, the biggest, most lavish, most popular and by far the most lucrative sci-fi drama ever. George Lucas’s grand vision gave us resplendent vistas and a spectacular sense of wonder, while portraying a vivid range of possibilities that science, technology and forward-thinking might eventually bring about—inspiring us and drawing our eyes toward a far horizon.

But what horizon?

After all the dazzling explosions and lightsaber duels, all the spaceship chases and cryptic-guru Yoda-isms, all the droids and special effects and obscure political story lines, did we—did anyone—learn anything?

George Lucas certainly claims that he’s been doing something more important than simply pushing eye candy. More valuable than just diverting the masses with some cash-generating entertainment. In various locales, spanning three decades, the Star Wars creator proclaimed that his epic teaches important lessons. For example, in a famous New York Times interview, he said: “Movies have a big voice, and what we filmmakers have to do is to set a good example.”

So, after tens of billions of dollars—and human hours—spent watching the films, playing the games, buying the toys, reading the books and buying even more toys, have we come away enlightened, even inspired?

Inspired to do what? To be . . . what?

Science fiction has never been modest about its  …

Other Essays by David Brin

About David Brin

David Brin’s bestselling SF novels have won Hugo, Nebula and other awards and have been translated into 20 languages. His 1989 thriller Earth foreshadowed global warming, cyberwarfare and the Web. A 1998 movie was loosely adapted from his Campbell Award winner The Postman, while Foundation’s Triumph brought a grand finale to Isaac Asimov’s famed Foundation universe. Kiln People portrays people using “home copiers” to be in two places at once. David’s nonfiction book The Transparent Society deals with openness, security and liberty in the future; it won the Freedom of Speech Award of the American Library Association.

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